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...victim of all this Warhollery is Joe (Joe Dallesandro), a hackneyed, acned chap who goes in for definition of musculature and vagueness of purpose. Joe turns on a chorus line of ladies, gentlemen and hermaphrodites. Alas, Joe himself turns on solely for heroin; he is impotent. Among those he unfulfills: a go-go dancer (Geri Miller), a sex-parched housewife (Andrea Feld-man), and last and by every means least, a raucous female impersonator named Holly (Holly Woodlawn). In the film's climactic scene, Holly stuffs a pillow under its sweater, feigning pregnancy to con an uptight, upright social...

Author: /time Magazine | Title: Cinema: Gland Tradition | 11/9/1970 | See Source »

...fables of this kind, such a chap invariably does show up. He is the evil witch, but a little makeup and a few courses at the 2-by-4 Acting Academy have converted him into an acceptably wooden snot of a boy (Michael York). He announces that he is a murderer and a pervert, thus letting the other characters know that they are under almost as deep a curse as the audience. He casts some pretty savage spells. Rubbing out two of the countess's loyal stalwarts, he becomes her majordomo. He entices the daughter of a pair...

Author: /time Magazine | Title: Cinema: Edelvice | 8/17/1970 | See Source »

People have been known to ask a drama critic what qualifies him for his post. The charitable popular assumption seems to be that this chap once tacked up scenery in summer stock, or directed a college play, or was summarily reassigned from the sports section of his publication during an acute journalistic drought. The less charitable view is that the fellow is a failed playwright who plumps into his opening-night seat on the aisle palsied with envy and gurgling with bile. Percy Hammond, a formidable drama critic of vinegary wit, once gave a simpler answer: "Because I get paid...

Author: /time Magazine | Title: Books: Who Loves a Critic? | 5/11/1970 | See Source »

...housing discrimination. He is the hapless yearner for un-chic Rosalie Mondle, who might one day paint "Get Out of Vietnam" across his chest. He is the groping incipient gourmet (trying to out-cook his friends) who dreams that he is accused of eating Fritos. He is the poor chap who cannot get invited to those with-it parties Rosalie attends, "where whites gathered to be castigated by some prominent Negro." Says Barnett: "I can't understand it. I don't like to blow my own horn, but I do think I'm as guilty as anybody...

Author: /time Magazine | Title: Books: Button Up Your Overcope | 10/31/1969 | See Source »

Extraordinary Nielsen. Emerging as the real stars of Hee Haw are some of the previously unknown supporting players, who are less polished rustics. Stringbean, the emaciated chap who appears with the puppet crow on his shoulder, can barely read, according to friends, and has to be taught lines by his wife. Junior Samples, the fat man (275 Ibs.), professed to have nothing to wear but his "Sunday overalls" at a CBS celebration party. Introduced to a key network executive-"Junior, this is the vice president"-Junior ingenuously responded: "Hello, Mr. Agnew...

Author: /time Magazine | Title: Programming: The Corn Is Still Green | 8/8/1969 | See Source »

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