Word: chapbook
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...aware that a flea landing on a dog is like a sonic boom.” While Kathy Nilsson refrains from such gestures of grandiose pomposity, her poems are imbued with a similar ear for the power of the mundane. “The Abattoir” is a chapbook with 23 poems that frequently use the everyday to direct the reader on to more abstract concerns of love, loss, and a decaying spirituality. Written in Cambridge and published out of Georgetown, Kentucky, the poems frequently evoke the spirit of down-home Americana. In “Window-Shopping...
...what it lacks in “RoboRodeo” parties and chain-smoking intellectuals, it’s making up for with innovation. Its next issue, slated to come out this April, will break new ground among literary magazines at Harvard by publishing a “chapbook,” devoting several pages of content to the poetry of one lucky student writer. As the first Harvard publication to feature only poetry, the Gamut, started in 1998, has a pioneering tradition. Its “chapbook” is another step forward. According to Editor Benjamin L. Purkert...
...Bidart ’67 spins personal and contemporary verse, creating work in imaginative ways both on the page and read aloud. This wordsmith sets his poetry in the greater framework of such themes as identity, meaning and the interplay of good and evil. Bidart will read from his chapbook Music Like Dirt, as well as the new Collected Poems by poet Robert Lowell, which he edited. Sunday, August 3 at 4:00 p.m. Free. East Lawn of Longfellow National Historic Site, 105 Brattle...
...which rightfully went to Lynda Barry's "One! Hundred! Demons!") Miller lamented the rising cost of a single comicbook. Noting they have reached upwards of $3 a piece, "It's just not working," Miller said, "Our future is not in pamphlets." All but pronouncing the death of the comic chapbook, Miller predicted that, "This award [for best graphic novel] will be the centerpiece of these awards in the future." His gutsy pronouncement, in front of an audience largely made up of pamphlet comic-makers, received mild, reluctant applause...
Much of Velva still clings to Sevareid -his wheatfield-flat monotone, his Scandinavian ponderousness, his Midwestern faith that folks can get along if they listen to each other, and especially his chapbook belief in America's innate strengths. "No other great power has the confidence and stability to expose and face its own blunders," he wrote last year in a new introduction to his 1946 autobiography, Not So Wild a Dream. "We are a turbulent society but a stable republic. The mind goes blank at the thought of a world without one such power...