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Word: chapbook (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Much of Velva still clings to Sevareid -his wheatfield-flat monotone, his Scandinavian ponderousness, his Midwestern faith that folks can get along if they listen to each other, and especially his chapbook belief in America's innate strengths. "No other great power has the confidence and stability to expose and face its own blunders," he wrote last year in a new introduction to his 1946 autobiography, Not So Wild a Dream. "We are a turbulent society but a stable republic. The mind goes blank at the thought of a world without one such power...

Author: /time Magazine | Title: The Press: Sign-Off for Sevareid | 12/12/1977 | See Source »

EVEN THE PHYSICAL make-up of a chapbook suggests that whatever it is getting at hasn't found its true from yet. Neither a paperback nor a resolutely bound hard-cover edition, it consists of a few pages, with an occasional misspelled word, tucked stiffly into a cardboard cover and secured by staples along the slender crease. It's a trial publication without the slick veneer that cajoles you into buying a book on sight...

Author: By Anemona Hartocollis, | Title: Talk Me Down | 2/25/1976 | See Source »

...poet is still experimenting with style in this chapbook. If the poems weren't collected under a certain name, you might not guess that they all come from the same writer because Miriam Sagan hasn't settled into a recognizable tone of voice or mode of diction yet. Her work is compiled largely of images. From the careful control she maintains over each of these, it is evident that she is attuned to the way words balance one another. Sometimes this sense shows through as long as the poem lasts. A structure may emerge that is based on poetic techniques...

Author: By Anemona Hartocollis, | Title: Talk Me Down | 2/25/1976 | See Source »

...CHAPBOOK'S cover features a nude by Degas--apparently it could double for the "dangerous body" in one of the narrative poems. Degas's subject does indeed convey the emphatic sensuality that figures in Sagan's conception of women. Sagan's women are wrapped up in their own sexuality, even tormented by it. One craves bloody flesh; another, the Russian named Ytrasie, whose romanticism pushes her into rather appealing heroism, has black braids which "flew out like whips." Yet they are frightened of their own desires, and tend to suppress them. As a result, they remain unfulfilled or their bodies...

Author: By Anemona Hartocollis, | Title: Talk Me Down | 2/25/1976 | See Source »

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