Word: chapels
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Dates: during 1940-1949
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Better than words the attendance told a success story as suggestive as any in this generation's church history: the success story of a mission chapel that grew almost overnight to be the largest Lutheran church in the country; the success story of an ex-Ford-salesman whom everyone came to like and admire as truly...
There were four other churches within two miles when Frederick William Otterbein went to North Austin as a seminary student to round up a congregation for the $13,000 bungalow chapel the synod had built on the outskirts. That was in 1920, and in September he had rounded up 51 members. Today the church has 5,577 on its rolls, the free-will offerings have passed $68,000 a year, mission contributions for 1941 will run close to $25,000, the plant is worth $300,000, the debt has been cut to $30,000, and every Sunday three services...
Whitehead will speak at 4:30 o'clock in Emerson Hall, and students as well as the general public can attend free of charge. Professor Douglas Clyde Macintosh, of Yale University is another prominent authority scheduled to address the convocation at 3 o'clock in the Chapel of Andover Hall. His talk is the annual Dudleian Lecture and is entitled "Natural Revelation...
This week the Harvard Glee Club comes to Duke, our citadel of higher learning, to sing in the chapel, our symbol of Christianity. Both those who will sing and those who will listen are Americans, citizens of a nation now rising and flexing itself in preparation for the defense of democracy. Once in this land of the free, we proudly say, are men still able to sing; and only in this land resides the power of maintaining that freedom we so loudly land. Yet there is one member of the Harvard Glee Club who cannot sing, here at Duke...
They Walk Alone (by Max Catto, produced by Ben A. Boyar) is the latest of the many dramas of British rural horror. The servant girl on an English gentleman's farm has dark compulsions to play the chapel organ in the middle of the night. The music stirs her libido and she thereupon lures young men out on the moors. There, after presumable orgies, her conscience apparently asserts itself. She murders her partners and, it would seem, commits on them certain unmentionable excess damages-the play isn't very clear about...