Word: chapels
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Dates: during 1960-1969
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Every Eye. Ludwig's most famous effort was Neuschwanstein, whose Romanesque-Moorish turrets bedeck Bavarian travel posters. The carvings and furnishings from its marble and mosaic chapel, study and bedroom display a gaunt tension that clearly foreshadows the Jugendstil 30 years before its prime. Sketches for carved colonnades incorporate fantastic root-and-branch configurations that would have delighted Spain's art nouveau master, Antoni Gaudí. Ludwig's two other palaces both evoke the rococo splendors of Louis XIV of France. From Linderhof come tutti-frutti-colored, specially commissioned Sèvres porcelain, embroidered screens inspired...
...Join Hands. At Uppsala, Mc Gaw held his services at a small pre- fabricated chapel outside the main assembly hall. Initially, he asked the worshipers, mostly curious clergymen and youth delegates attending the conference, to divide themselves into circles of six, join hands and pray or meditate. Each person was then asked to explain what the moment had meant for him. In the next phase, the worshipers one by one stood in the center of the circle, closed their eyes, and let themselves fall backward; they were caught and passed from one member of the group to another. "The purpose...
...Chapel Hill...
...villagers were only too happy to oblige, and before long Madame, whose first husband made a fortune on a chain of newsreel cinemas, was lavishing her three boundless resources-romantic enthusiasm, energy and hard cash-on medieval restoration. She trained masons to lay a new roof on the chapel and made them do it over four times to suit her. The castle towers, which Mayor Isnard once threatened to tear down before they tumbled, now jut sturdily into the air. Two massive feudal gates again open and close off the town, and once-buried streets have been restored...
Spain showed 23 artists whose displays were chockablock with social comment. Most notable was Eduardo Sanz's walk-in Chapel for an Important Man, where altar and stained-glass windows were replaced by abstract, luxurious designs of plastic, glass, polished wood, seemingly a bitter jest at the pious pretensions of the rich. As for Marisol, usually classified as an American artist, she scored a triumph of nationalist and artistic politicking by exhibiting as a Venezuelan, thus getting a whole pavilion for 35 of her delightfully inimitable dolls...