Search Details

Word: chapels (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Dedicated last week was a new chapel that was designed by a professional forger, decorated by a two-man team composed of a thief and a murderer, and built by laborers on a wage scale that ranged from $1.20 to $7.70 a month. Its 1,000-odd congregation: inmates of the District of Columbia Reformatory (for men) at Lorton...

Author: /time Magazine | Title: Religion: Christ the Prisoner | 9/22/1961 | See Source »

...chapel is interdenominational, designed so that Roman Catholic, Protestant and Jewish services, each seating as many as 500, may be held simultaneously or thrown together in one big, 1,200-capacity. But the man behind it is the prison's senior Catholic chaplain, Father Carl J. Breitfeller...

Author: /time Magazine | Title: Religion: Christ the Prisoner | 9/22/1961 | See Source »

...another from October 1956 to last week's dedication. His first recruit was one Farmer C. Thomas, doing a 17-year stretch for forging $100 bills, who had once taken a mail-order course in architectural engineering. When the priest asked him to design the chapel, Thomas, an atheist, protested that he had never been in a church in his life. Under Father Breitfeller's influence and instruction, he became a Catholic...

Author: /time Magazine | Title: Religion: Christ the Prisoner | 9/22/1961 | See Source »

...Sense of Drama. Like Crivelli. Man tegna, the son of a carpenter, studied under the strict Paduan master, Francesco Squarcione. He was such a precocious pupil that, at the age of 17, he got a commission to do a number of frescoes in Padua's Ovetari Chapel. From then on his future seemed secure. He married the daughter of the painter Jacopo Bellini; the Marchese Francesco Gonzaga made him a knight, and Lorenzo the Magnificent sang his praises...

Author: /time Magazine | Title: Art: The Glory of Mantua | 9/8/1961 | See Source »

...auditorium, he not only rejected the International cube, but also Louis Sullivan's dictum of "form follows function." He put up an auditorium encased in a gleaming white three-cornered shell that could just as well have been an exhibition hall or a supermarket. For the chapel at M.I.T., his inspiration was the grottoes of Capri, which get their magic light from the sun bouncing...

Author: /time Magazine | Title: Art: Sensitivity & Crust | 9/8/1961 | See Source »

Previous | 394 | 395 | 396 | 397 | 398 | 399 | 400 | 401 | 402 | 403 | 404 | 405 | 406 | 407 | 408 | 409 | 410 | 411 | 412 | 413 | 414 | Next