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...First Prize in the architectural competition fared no better. It was nothing short of scandalous to award the prize to Eero Saarinen's Chapel at M.I.T. for "the strongest statement in terms of structure and space enclosure for its purpose." Although the interior has many praiseworthy features, the exterior is one of the chief eyesores of Cambridge--an ugly brick storage tank with foully proportioned arches set into it (see cut). Compare with it, for example, the Mexico City church erected several years earlier and shown in the other cut. The basic idea (which Saarinen thought original with...

Author: By Caldwell Titcomb., | Title: Boston Arts Festival Praised As Greatest Success to Date | 7/2/1956 | See Source »

...traveled 30,000 miles in Pennsylvania to find out what services his campus could render the state's agriculture and industry. He raised faculty salaries 35%, enlarged the library by 26%, put up the $3,000,000 Hetzel Union Building, a new research reactor building, an all-faith chapel. He raised the liberal-arts requirements for technology students. In 1953 Penn State officially became a university...

Author: /time Magazine | Title: Education: Penn State's Prexy | 6/18/1956 | See Source »

Then he started calling on the ships that were anchored or becalmed in the chan nel, and so great was the need he found that he gave up his regular church, fitted out a cutter with a chapel below decks, and made the sea his parish...

Author: /time Magazine | Title: Religion: The Flying Angels | 6/11/1956 | See Source »

...Finnish-born Eero Saarinen, 45, the Grand Architectural Award, at the Boston Arts Festival, for his design of the Massachusetts Institute of Technology chapel (TIME, June 29, 1953, et seq.), as "the strongest statement in terms of structure and space enclosure for its purpose . . . sensitivity to the use of materials and detail follow-through...

Author: /time Magazine | Title: Art: Honors List | 5/28/1956 | See Source »

...have kidnaped his son to ensure his silence. The film slips smoothly into a Hitchcock chase sequence as Jimmy and Doris charge off to London to track down the kidnapers: there is a melee in a taxidermist's shop, an encounter with the villains in a Non conformist chapel, a hand-to-hand struggle with the gun-wielding assassin in a velvet-curtained box at Albert Hall, a final showdown in the gilt-and-mirror splendor of a foreign embassy. Hitchcock alternates his chills with comedy, as when Jimmy is bitten by a stuffed tiger, and gets deft performances...

Author: /time Magazine | Title: Cinema: The New Pictures, may 21, 1956 | 5/21/1956 | See Source »

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