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...Clowns are the world's incompetents. They are bound to the wheel of incompetence or they cease to be clowns. Chaplin once, in The Gold Rush, broke the underlying significance of his role and spoiled a great film. He forgot Chariot the outcast to become a millionaire and marry the girl, like any John Gilbert or Ronald Colman. Clowns cannot possibly stoop to such romance. They are, in essence, super realists . . . tragedians in disguise. Their endings are happy for everyone but themselves...

Author: /time Magazine | Title: Cinema: Horses, Dancers & Dolls | 12/16/1946 | See Source »

Last week the Museum's film students were well into a 67-week course called "The History of the Motion Picture (1895-1946)." They were seeing The Great Train Robbery (1903) and D.W. Griffith's Intolerance (1916), Chaplin's Easy Street (1917) and De Mille's Male & Female (1919). In coming weeks they will flock to see Valentino, The Big Parade with John...

Author: /time Magazine | Title: Cinema: The Blanks | 10/28/1946 | See Source »

...Charlie Chaplin's old films can still be shown-and are-in commercial theaters practically everywhere in the world. Chaplin has promised his pictures to the Museum eventually, but so long as they are moneymakers, he is not interested in having them used for nonprofitable study. Meanwhile, he vigorously runs down and prosecutes "pirates." A few old Chaplin comedies made for Keystone, Essanay and Mutual studios are being shown to Museum visitors, but post-1918 Chaplin-produced pictures (including Shoulder Arms and The Kid) are taboo...

Author: /time Magazine | Title: Cinema: The Blanks | 10/28/1946 | See Source »

...ulein Kitty. Couples strolled toward the Kronen Lichtspiele in search of a few laughs, an occasional tear, and the chance to forget Germany. They did not find what they were looking for. U.S. Information Control was trying a Hollywood sneak preview on Germans. The substitute picture was Charlie Chaplin's The Great Dictator...

Author: /time Magazine | Title: GERMANY: Laughter | 8/19/1946 | See Source »

...Germans laughed when Charlie Chaplin, as the Jewish barber, shaved a customer in time with Brahms. They laughed when Chaplin, as Dictator Hynkel, danced around the balloon world until it finally exploded in his face. But slowly the laughter thinned, embarrassed, shocked silence hovered in the stifling little theater. No one laughed at the concentration-camp scenes nor at Charlie's girl friend who hit a Storm Trooper over the head with a frying pan. There was hardly a ripple when the Jews matched pennies to determine who would kill the Dictator...

Author: /time Magazine | Title: GERMANY: Laughter | 8/19/1946 | See Source »

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