Word: chaplinitis
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Dates: during 1990-1999
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...beginning, God did not create "high" and "low" movies. For filmmakers from Chaplin to Hitchcock, "unpopular" was not a badge of pride for movies but rather a sign that they were somehow flawed. Now, of course, we have two contenders: in that corner, weighing in at $100 or $200 million, are "blockbusters" like Armageddon; and in this corner are the 98-pound weaklings of the film industry, "independent" movies like Gods and Monsters. From the former we can expect special effects, saccharine plots and Bruce Willis; while from the latter we can expect intellectual affects, subtle plots and a British...
...Chaplin's first night in New York in September 1910, he walked around the theater district, dazzled by its lights and movement. "This is it!" he told himself. "This is where I belong!" Yet he never became a U.S. citizen. An internationalist by temperament and fame, he considered patriotism "the greatest insanity that the world has ever suffered." As the Depression gave way to World War II and the cold war, the increasingly politicized message of his films, his expressed sympathies with pacifists, communists and Soviet supporters, became suspect. It didn't help that Chaplin, a bafflingly complex and private...
...Edgar Hoover's FBI put together a dossier on Chaplin that reached almost 2,000 pages. Wrongly identifying him as "Israel Thonstein," a Jew passing for a gentile, the FBI found no evidence that he had ever belonged to the Communist Party or engaged in treasonous activity. In 1952, however, two days after Chaplin sailed for England to promote Limelight, Attorney General James McGranery revoked his re-entry permit. Loathing the witch-hunts and "moral pomposity" of the cold war U.S., and believing he had "lost the affections" of the American public, Chaplin settled with Oona and their family...
With the advent of the '60s and the Vietnam War, Chaplin's American fortunes turned. He orchestrated a festival of his films in New York in 1963. Amid the loudest and longest ovation in its history, he accepted a special Oscar from the Academy of Motion Picture Arts and Sciences in 1972. There were dissenters. Governor Ronald Reagan, for one, believed the government did the right thing in 1952. During the 1972 visit, Chaplin, at 83, said he'd long ago given up radical politics, a welcome remark in a nation where popular favor has often been synonymous with depoliticization...
...primarily Bert and Ernie, Big Bird, Grover and the rest who made Sesame Street so captivating. Joan Ganz Cooney, who created the show, once remarked that the group involved with it had a collective genius but that Henson was the only individual genius. "He was our era's Charlie Chaplin, Mae West, W.C. Fields and Marx Brothers," Cooney said, "and indeed he drew from all of them to create a new art form that influenced popular culture around the world...