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Word: chaplinitis (lookup in dictionary) (lookup stats)
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...running gag"* much admired by Hollywood experts is built up in a millionaire who, when drunk, is Chaplin's dearest friend; when sober, has him thrown out of the house. A new gag: Chaplin trying to light his cigar but succeeding only in lighting the cigar which another character is waving airily before his face...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 9, 1931 | 2/9/1931 | See Source »

...Chaplin films there are touches of smut: Chaplin as a busy street cleaner seeing an endless troop of mules, hurrying in the opposite direction, only to meet an elephant; Chaplin acting girlish toward a prize fighter stripping for battle...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 9, 1931 | 2/9/1931 | See Source »

Cinema is primarily an industry, secondarily an art. Squat, tasteful red brick buildings in the heart of Hollywood are the physical evidences of Chaplin's supremacy as industrialist as well as artist. Chaplin finances his own pictures and shrewdly supervises their sale and distribution. He writes them, casts them, directs them. He works by mood. He shoots thousands upon thousands of feet of film, saving perhaps 50 feet that he feels is right. When things go wrong he stops work and plays tennis. Sometimes he works all night. He listens to a great lot of advice, disregards most...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 9, 1931 | 2/9/1931 | See Source »

...Chaplin does not reject the sound-device because he does not think his voice will register. His objection is that cinema is essentially a pantomimic art. Says he: "Action is more generally understood than words. Like the Chinese symbolism it will mean different things according to its scenic connotation. Listen to a description of some unfamiliar object-an African wart hog, for example. Then look at a picture of the animal and see how surprised...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 9, 1931 | 2/9/1931 | See Source »

City Lights cost $1.500.000 to produce Before release it had sold to a guaranteed booking of more than $4,000.000. Chaplin worked frantically to make it his greatest, to justify his faith in pantomime. Chance guests would be hauled into his projection room to see rushes of the film. They were asked to describe what they had seen. If they missed a point that was intended to be clear Chaplin-feeling that his story must be understood by everyone, even the stupid or the distracted-would have the scene refilmed. In rest intervals he would play "Violetera" on his harmonium...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 9, 1931 | 2/9/1931 | See Source »

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