Search Details

Word: chaplinitis (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...past Larroquette has excelled at showing the depth of irredeemable characters, but here he plays a one-dimensional villain, and he lacks the comedic skill to pull it off. Though to be fair, Charlie Chaplin couldn't pull off these jokes. Larroquette's last show at least aimed for smarter laughs--and got script suggestions faxed in from Thomas Pynchon. It's unlikely he will make any for Payne. If he does, he'd better submit them within the next few weeks...

Author: /time Magazine | Title: Television: Payne | 3/29/1999 | See Source »

Hubble's astronomical triumphs earned him worldwide scientific honors and made him the toast of Hollywood during the 1930s and 1940s--the confidant of Aldous Huxley and a friend to Charlie Chaplin, Helen Hayes and William Randolph Hearst. Yet nobody (except perhaps Hubble) could have imagined such a future when the 23-year-old Oxford graduate began his first job, in New Albany...

Author: /time Magazine | Title: Astronomer Edwin Hubble | 3/29/1999 | See Source »

...THIN RED LINE STARRING: Jim Caviezel, Ben Chaplin, Sean Penn, Nick Nolte, John Travolta OPENS: New York City, Los Angeles Dec. 23 WIDE...

Author: /time Magazine | Title: Cinema: Ho, Ho (Well, No) | 12/28/1998 | See Source »

Giannini also made a career out of lending to out-of-favor industries. He helped the California wine industry get started, then bankrolled Hollywood at a time when the movie industry was anything but proven. In 1923 he created a motion-picture loan division and helped Mary Pickford, Charlie Chaplin, Douglas Fairbanks and D.W. Griffith start United Artists. When Walt Disney ran $2 million over budget on Snow White, Giannini stepped in with a loan...

Author: /time Magazine | Title: America's Banker: A.P. GIANNINI | 12/7/1998 | See Source »

...beginning, God did not create "high" and "low" movies. For filmmakers from Chaplin to Hitchcock, "unpopular" was not a badge of pride for movies but rather a sign that they were somehow flawed. Now, of course, we have two contenders: in that corner, weighing in at $100 or $200 million, are "blockbusters" like Armageddon; and in this corner are the 98-pound weaklings of the film industry, "independent" movies like Gods and Monsters. From the former we can expect special effects, saccharine plots and Bruce Willis; while from the latter we can expect intellectual affects, subtle plots and a British...

Author: By John T. Meier, CONTRIBUTING WRITER | Title: HIGH ART IN `MONSTERS' | 12/4/1998 | See Source »

Previous | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | Next