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Professor Petric often complains bitterly in his lectures about "journalistic film criticism," which only treats film "thematically and impressionistically. Reviewers can be moved by Chaplin, excited by Renoir, or taken by Citizen Kane, but hardly anyone specifically justifies his point of view analytically or cinematically." Music or art criticism, he points out, is often analytical, whereas film criticism...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

...insisted one friend of the "Little Tramp's" family. But in truth, just about everyone in the Swiss village of Corsier-sur-Vevey thought that the kidnaping was the darkest of black humor at best. One day last week a gravedigger discovered that the plot in which Charlie Chaplin was buried had been ravaged. Authorities flashed an Interpol alert for "unknown persons wanted for the unlawful removal of the mortal remains of Charles Chaplin," who died last Christmas...

Author: /time Magazine | Title: World: Grave Offense | 3/13/1978 | See Source »

Widow Oona O'Neill Chaplin, 52, waited for word at the family estate...

Author: /time Magazine | Title: World: Grave Offense | 3/13/1978 | See Source »

DIED. Jack Oakie, 74, wisecracking comedian best known for his parody of Mussolini in Chaplin's The Great Dictator; of complications of an aortic aneurysm; in Los Angeles. Abandoning a Wall Street career, Oakie joined the chorus of George M. Cohan's Little Nellie Kelly in 1922 and, after several years on the vaudeville circuit, went to Hollywood, where his waggish ways and round, jovial face won him more than a hundred supporting roles. Playing a happy-go-lucky buffoon, he worked in such films as Million Dollar Legs with W.C. Fields, The Affairs of Annabel with Lucille...

Author: /time Magazine | Title: Milestones, Feb. 6, 1978 | 2/6/1978 | See Source »

Krim cited a history of friction between the freewheeling movie firm and the textbook-style conglomerate. "This is one business that is really different," he said. Krim and Benjamin, both New York lawyers, acquired the business in 1951 from Charles Chaplin and Mary Pickford, who helped start the firm as a place that would allow independent film makers to work without the restrictions imposed by major studios. Run from a dingy Manhattan headquarters, U.A. has no production facilities, but operates in effect as a banker and distributor for movie people seeking an honest count at the box office and exceptional...

Author: /time Magazine | Title: Business: Bitter Bust-Up In Filmland | 1/30/1978 | See Source »

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