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...Night Stands, it's gone kaput, period. The most unsettling facet of this death-of-love motif is the pervasiveness of its reality among the film's otherwise diverse characters. The malaise afflicts the professionally fulfilled executive (Harvey Keitel) as deeply as his hopelessly unfulfilled housewife (Geraldine Chaplin), who fancies herself a modernday Camille, running around spouting melodrama and sipping Carroll's Southern Comfort between lines. It fails to discriminate between John Considine's hail-fellow-well-met furniture dealer and Carradine's petulant artiste. With one noteworthy exception, each of the ten central figures goes in search...

Author: By Joe Contreras, | Title: Grown-Up Wasteland | 4/19/1977 | See Source »

...talks with the wife of Chou En-lai spurred Chou to recommend to Chiang Ch'ing that she talk with Witke too. The subsequent interviews ranged from political intrigue and Mme. Mao's version of the downfall of Lin Piao to her admiration for Garbo and Chaplin...

Author: /time Magazine | Title: A Letter From The Publisher, Mar. 21, 1977 | 3/21/1977 | See Source »

...China, a particularly stylish woman; at one point in her interviews she distributed black midi-length dresses to her several female aides and demanded that they wear them at dinner that night. She had her own collection of "bourgeois" films by such foreign stars as Greta Garbo and Charlie Chaplin. All this is in marked contrast to the dreary, controlled socialist culture and drab unisexual clothes that she helped to impose on China's masses. Hardly a surprise that in the current campaign against her, Chiang Ch'ing's love of luxury is a major charge against...

Author: /time Magazine | Title: The Rise and Fall of Mao's Empress | 3/21/1977 | See Source »

...Those bourgeois democratic films are to be reserved for private showing," she declared flatly. If the people could view them they would criticize them bitterly on political grounds. Such public exposure and attack would be most unfair to Garbo because she is not Chinese. The same was true for Chaplin, almost all of whose films she saw in the 1930s. Modern Times she recognized as a diatribe against dictatorship. Others of his films seemed to be pitched against Stalin and, most powerfully, against Hitler, which makes them "progressive." It is all right to screen these films "among ourselves" (the leaders...

Author: /time Magazine | Title: Special Section: Comrade Chiang Ch'ing Tells Her Story | 3/21/1977 | See Source »

Modern Times (Charles Chaplin...

Author: NO WRITER ATTRIBUTED | Title: Movie listings for the week | 1/13/1977 | See Source »

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