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Word: chaplinitis (lookup in dictionary) (lookup stats)
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HILLES LIBRARY: Woody Allen's What's Up, Tiger Lily? and Charlie Chaplin's The Gold Rush, Oct. 19 and 20, 7:30, 9, 10:30, $.75 per film...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 10/18/1973 | See Source »

...whose temples were adorned with the Masonic eye, considered as major deities Buddha, Christ, and Mohammed. They harbored in their pantheon of lesser deities such people as Marcus Aurelius, Georges Clemenceau, Joan of Arc, Victor Hugo, and Thomas Jefferson. Winston Churchill was enshrined after 1945, but Charlie Chaplin was considered and dropped as a candidate for sainthood at about the same time...

Author: By Dan Swanson, | Title: Who Will Be the Philosophers? | 10/15/1973 | See Source »

...grimacing from the pain, was it because she was smarting from Producer Ilya Salkind's remark, "Raquel is very big in all the small countries"? Or was she simply making sure of getting attention in an all-star cast that includes Charlton Heston, Oliver Reed, Faye Dunaway, Geraldine Chaplin and Michael York? Filming was halted briefly to determine that Raquel, who plays the heroine, had only sprained her arm. No strategic areas were damaged...

Author: /time Magazine | Title: People, Sep. 17, 1973 | 9/17/1973 | See Source »

Wells seems to have equated love with what the MacKenzies call "intellectual euphoria." Sex, by contrast, was mainly for the relief of tension and depression. "There comes a moment in the day," he once told Charlie Chaplin, "when you have written your pages in the morning, attended to your correspondence in the afternoon, and have nothing further to do. Then comes that hour when you are bored; that's the time...

Author: /time Magazine | Title: Books: The Days of the Prophet | 8/20/1973 | See Source »

...aimlessness that hangs so heavily around Playtime is thickened by the fact that Hulot cannot be said to be a character in the sense that Chaplin's Tramp or Keaton's Great Stone Face was. He is passive where they were active-even revolutionary-in their relationship to the things and the people who tormented them. Chaplin was insouciantly defiant when pressed, Keaton manically inventive. Both were also incurable romantics. They were people of dimension, people with plans and aspirations and a wide range of feeling. One could identify with them, suffer and exult with them...

Author: /time Magazine | Title: Cinema: Lifeless Abstractionist | 8/6/1973 | See Source »

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