Word: chapman
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Dates: during 1980-1989
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...Nigel Holmes (Executive Director); Dorothy D. Chapman, Anthony J. Libardi, Irene Ramp (Deputies); Arthur Hochstein, Leonard S. Levine, Billy Powers, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, James Elsis, Carol March (Designers); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Stefano Arata, Joseph Aslaender, David Drapkin, Jay Petrow, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...
...Nigel Holmes (Executive Director); Dorothy D. Chapman, Anthony J. Libardi, Irene Ramp (Deputies); Arthur Hochstein, Renee Klein, Leonard S. Levine, Billy Powers, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, James Elsis, Carol March (Designers); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Stefano Arata, Joseph Aslaender, David Drapkin, Jay Petrow, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...
...Nigel Holmes (Executive Director); Dorothy D. Chapman, Anthony J. Libardi, Irene Ramp (Deputies); Arthur Hochstein, Renee Klein, Leonard S. Levine, Billy Powers, Barbara Wilhelm (Assistant Directors); Carol March (Designer); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Angel Ackemyer, Stefano Arata, Joseph Aslaender, David Drapkin, James Elsis, Jay Petrow, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...
...Welch 13 0 1 1 Paolo DiRosa 1 0 0 0 Andy Dale 8 0 0 0 Mark Pepper 16 0 0 0 Robert Bonnie 15 0 0 0 Matt Widmer 5 0 0 0 Gian D'Ornellas 14 0 0 0 Ryan Chew 1 0 0 0 Roger Chapman 8 0 0 0 TOTALS 17 40 37 117 OPPONENTS...
...Professor Robert Chapman has said, if we wanted to see real life we'd look out the window. No one likes to be boring or to be bored; we want our entertainment to provide us with the extremes of experience that real life simply cannot produce. The power of theater is to bring these artistic highs and lows and the audience together, to make them real to each other if only for an evening. In order to survive, in order to continue to provide one hell of a night out, theater has to live and breathe, to laugh and groan...