Word: chapters
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...exist, or was he a fiction created by Decker in his declining years to sell a magazine story? Who knows, but all these years later, authors with a book to market still play footsie with Decker's wholly unsubstantiated story. The Hooblers retell the Decker tale in their last chapter, then lamely attach a disclaimer: "There is no external confirmation for it. Yet it has frequently been assumed to be true by authors writing about the case." But naturally when their book was excerpted in Vanity Fair this month, it was the Decker story that occupied most of the excerpt...
...Marqués arriving in the U.S. to peddle his forgeries, a gimmick that will lead unsuspecting readers to suppose that this imaginary character will somehow turn out to be the real man behind the crime. But the Marqués disappears from her book until the final chapter, where Scotti lays out Decker's account and then details the reasons why it's probably hooey...
...Sirius XM (SIRI) has been a favorite of short sellers for years. Once considered among the most promising growth stocks in America, its debt problems nearly forced it into Chapter 11. Liberty Media put $530 million into the satellite radio company just days before it would probably have gone bankrupt and got 40% of Sirius and along with debt for the capital. The company's stock began the trading year at $.12 and fell to $.05 in early February on concerns that it might fold. Since then, the shares are up over 8x to $.43. There were almost 167 million...
...Perfect Fifths” renders an interesting balance between intimacy and distance of characterization. It is primarily third person, a departure from the first-person letters and diary entries that were the rest of the series. Throughout the novel, McCafferty branches into more unconventional forms. One chapter is written in haikus that alternates between the perspectives of Jessica and Marcus. Another section is entirely rapid-fire dialogue. These sections punch up the emotional power of the prose.They also contrast with the distancing effect of the rest of the book, a trade-off to access both main characters’ interiors...
...perspective gets handed back and forth every chapter, which becomes monotonous over time and feels artificial as the story itself gets more dynamic. Still, the alternation lets Wray probe Will’s psyche from a number of different angles without having to stop and reflect, Victorian novel-style. Lateef, on the other hand, is a stock character; the spiritually exhausted public servant, who experiences a mid-career crisis of confidence and develops an inappropriate affection for Violet Heller. Somehow it seems like this is supposed to illustrate the novel’s metaphysical import. It just doesn?...