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...when in fact the sparse Western crowd seemed a bit tame, made me wonder if “high season” had permanently departed the town (or at least its backpacker quarter, the Indian holiday business seemed to be thriving).In Kolkata the scams had carried their own character??providing a bottle of water whose cap had already been unsealed and claiming “I just did that myself, sir” proved popular even in decent restaurants. The next destination of my journey, Bodhgaya—the spot of Buddha’s enlightenment?...

Author: By Max J Kornblith, CRIMSON STAFF WRITER | Title: In a Puri State of Mind | 1/15/2009 | See Source »

...center of the film truly matter as human beings, it seems. Ethics aside, what is perhaps most disappointing about “Nobel Son” is the enormous amount of talent wasted on the project. Rickman was born to play the despicable Eli, and he imbues his character??s every action with a hysterical mix of egomania and snobbery. In one uproarious scene, he tells his mistress—who is also one of his students—“I am disappointed that you would expect preferential treatment!” Yet Rickman is woefully...

Author: By Evan T. R. Rosenman, CONTRIBUTING WRITER | Title: Nobel Son | 12/12/2008 | See Source »

...Merchant of Venice” (subtitled “The Question of Intention”) grapples with the problem of Shakespeare’s motive in the representation of Jews via Shylock. Garber seems to bring us increasingly closer to Shakespeare by means of her meticulous analysis of the character??s development over time in productions and in secondary literature. Although she reminds us repeatedly that we will never know the playwright or the definitive answer to the problems Shylock presents, Garber brings us as close as possible to this Elizabethan genius of theater. It?...

Author: By Samantha C. Cohen, CONTRIBUTING WRITER | Title: Shakespeare, 'Tis Modern Culture and Modern Culture, 'Tis Shakespeare | 12/5/2008 | See Source »

...vaudevillian punch line, holding out his cane and smiling as the stage went black.The energetic, ad-libbing cast makes the show a joy. Doomsaying beatnik Ian Malcolm (Mason Ross) punctuated pauses by jiggling his head and muttering inaudibly. Lex (April Camlin), the hyper-annoying computer nerd, carried her character??s emotional outbursts to the limits of human expression. Robert Muldoon (Connor Kizer) played every scene with a Sean Connery-ish accent and an insane excitement at the prospect of death. And of course Samuel L. Jackson’s character??referred to in the play only...

Author: By Joseph P. Shivers, CRIMSON STAFF WRITER | Title: 'Jurassic' Parody a Low-Budget Laugh | 11/21/2008 | See Source »

...stories are made of. In fact, as Kehlmann traces the development of his protagonist, Kaminski lives up to the stereotype of the idiosyncratic artistic genius, whose success does not hinge on talent alone, but is shrouded in a certain inexplicable mystique. Initially, the author humanizes Kaminski by depicting the character??s creative struggle as akin to a pursuit of identity: “First there were the botched drawings of a twelve-year-old: humans with wings, birds with human heads, snakes, and swords swooping through the air: absolutely zero evidence of talent.” But then...

Author: By Eunice Y. Kim, CONTRIBUTING WRITER | Title: 'Kaminski' Got Nothing | 11/21/2008 | See Source »

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