Word: characterizations
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Dates: during 1990-1999
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The dominant gender in a menage-a-trois relies on the subjugation of the third individual. Such an obvious rule is complicated by I Get's three-way freeway between Hal Elujah, Stella Virgin and Brook Werm. Two men, one woman? Three men? One man, two women (assuming that if...
When beautician Polly Tishun (Michael Kennedy '99) blooms from her stuttering shy-girl cocoon and becomes a sexy, successful presidential candidate, we not only see gender-bending acquire an occupational valence but also a post-feminist re-telling of the American teenager's Bildungsroman, embedded in a politicized pulp paradigm...
Without a torturous spy subplot, a drag show is nothing. With one, it could be a dragnet show. International espionage, despite its tendency to climax in showdowns on top of skyscrapers, is eerily seductive--think Tom Cruise flailing like an insect in Mission Impossible, Harrison Ford in Patriot Games, Elizabeth...
Office Space explores the existential despair of human beings confined to anonymous cubicles in myriad, analogous corporations across the country. The protagonist, Peter Gibbons, played by everyman Ron Livingston, is fed-up with the endless paper shuffling at corporate nightmare Initech, his unctuously sinister boss Bill Lumberg (Gary Cole) and...
HS: Absolutely. As a writer, I think you know when things are going well once characters begin to take over the story you're writing. I felt that in Passing Glory almost from the very beginning. The character of Travis was based on my experiences, and I learned a lot...