Word: characterized
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Dates: during 1950-1959
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When Beerbohm Tree was first faced with producing this tale of "the boy who would not grow up" in 1904, he attempted to defer the production, feeling certain that Barrie had gone quite mad to have written such an escapist play. The show went on, however, and with overwhelming success...
Though students still rush out to do political battle as in British times (antiCommunist university demonstrators led the street scuffling in Kerala last week-see FOREIGN NEWS), much of their agitation is for petty, personal aims (easier exams, special movie admission rates), and seems basically a frustrated reaction to the...
SHADOW OF GUILT, by Patrick Quenfin (211 pp.; Random House; $2.95), has a hero who is both a stuffed shirt and a weakling. He hesitates to tell his wife, a beautiful, bustling, overbearing heiress, that he wants to divorce her and marry his secretary, a colorless, clinging type named Eve...
Experimenting with the form of classical tragedy, Mr. Miller has introduced a pseudo-Greek chorus in the character of Alfieri, the neighborhood lawyer who comments on and occasionally participates in the action. This part is intelligently and movingly played by Dean Gitter, though one might wish he had chosen either...
The evening's novelty was Tucker's own Suite for Violin and Piano (1956). This four-movement work is a good deal more serious in character than most suites; it even dares to end with a slow movement. Though modern in style, it is still quite tonal, and its varied...