Word: characterized
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Dates: during 1950-1959
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Yet the play need not be so dour and melodramatic as Director Michael Kirby makes it. He has almost all of his characters bluster at each other from the moment the show begins. There are many scenes in which he rides roughshod over the poetry of the script. The small...
Callas' own performance had the familiar virtues and faults: warmth and purity in the lower and middle registers, edginess and wobble in the upper ones. But she infused the character of Violetta with ardency, hectic gaiety and a dampened passion that flickered through the role like a wayward fever...
Set in the sprawling ugliness of a three-story Willard Hotel that seems to imprison the audience as well as the players, this pallid version of Broadway's Look Homeward, Angel has just enough story line for a wistful, low-key one-act play. The line goes hopelessly slack...
In the dialogue there are enough "prithees," "goodwives," and "forsooths" to clog the collective gullet of The Lambs' club. As for the problem of delineating character, it is solved simply. Characters express emotion by changing color-from pink to grey, scarlet, dull red and "glistening" chalk white, until the...
The most forlorn is Floyd, until he improbably makes it up with his wife and Ophelia, ready to live happily ever after on his borrowed time. This is like preparing the reader's palate for hemlock and serving him Postum. Author Hauser has symbollixed up her main character so...