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Word: characterized (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

At this stage, the war calls less for bloodletting than for form filling. There are no battles but plenty of bumf-British army term for paperwork. Powell's people move through "the backwoods of this bureaucratic jungle," and it is a novelistic miracle that he keeps their old characters...

Author: /time Magazine | Title: Books: The War of Total Paper | 3/3/1967 | See Source »

The time is approaching when the instrumentalists of Powell's Music fall silent, and what is called for is a long, critical view of Powell on his podium. That "character is fate" is a cliché; the fate of Powell's characters is, like a capricious bomb, historical...

Author: /time Magazine | Title: Books: The War of Total Paper | 3/3/1967 | See Source »

The sophomore (Stephen Lerner) is blessed with a pleasantly pneumatic Cliffie (Kim Brody), who enthusiastically responds to bouncy fun-and-sex whenever they meet, and a good-guy roommate (Jerry Heist). The movie begins with Lerner's discovery of a dinner-jacketed corpse in what I take to be the...

Author: By Timothy S. Mayer, | Title: Sinister Madonna | 3/3/1967 | See Source »

...detached clinicism that is almost unbearable. In Lerner, Hunter has faithfully recorded the conventions of the French/American tough guy: his slovenlieness, his resistance, his attempt to be sphynxlike. But in the character's most Bogartian moment, a curl of the lip at an actor who is strutting out a characterization in front of the mirror in the Loeb green room, Lerner fails to convince us that he isn't posturing a bit himself. He, too, is fascinated by mirrors, particularly the fold-out, floor-length mirror in the Loeb costume loft which he slowly swings around, hypnotized by the multiple...

Author: By Timothy S. Mayer, | Title: Sinister Madonna | 3/3/1967 | See Source »

Lerner's vulnerability to the camera is in sharp contrast to the elusive and inviolable presence of the title character, her features frozen in that maddening half-smile which is traditionally associated with the Mother of God. Hunter scarcely gives her a motion until her third appearance, when she shows...

Author: By Timothy S. Mayer, | Title: Sinister Madonna | 3/3/1967 | See Source »

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