Word: characterized
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Dates: during 1980-1989
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The only part of the book that Bellow develops fully is Clara's character. Her name says it all: She is a combination of a naive, good-mannered, rural woman (Clara) and a lustful, svelte, executive yuppie (Velde). Bellow actually addresses the reader, as if to say that Clara, and...
...intense characterization seems useless when Clara admits that she loves the au pair girl and desperately tries to keep her from returning to Vienna. This unexpected twist is completely alien to the character that Bellow so meticulously created. Nothing earlier in the book prepares the reader for such an incongruous revelation. It appears to come from nowhere and undermine any sense of Clara's character which Bellow may have created...
But Mozart's Marriage of Figaro, bar none, remains one of the most beloved operas of any composer. This comedy of mismatched lovers and mistaken identities contains some of the most uplifting and well-crafted of Mozart's music. And, thanks to some superb singing and character acting, along with...
Undoubtedly one of the stronger performances in the Leverett production is Keith Connell's Sir Thomas More. The strength of More's character finds its perfect match in Connell's heroically moving performance. Connell's More is both pensive and resourceful, decisive and indifferent. The dualities of More's character...
Perhaps Harvard's new makeup, catalyzed by the experience of Murray, will give the team a winning character. And when the first match on April 3 arrives, Harvard will be ready.