Word: characterized
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Dates: during 1980-1989
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Susan Levine is well cast as Laurie, Blanche's second daughter, a sickly 11-year-old schoolgirl. Levine is proficient, even though she doesn't exactly look the part. Her character is less central than the others, but Levine's sincerity in the part is a definite asset to the...
Yet the concept actually works. Instead of having a bevy of babbling Corinthian women calling in the exits and entrances of every single character, we have an Al Michaels and Frank Gifford-like, cut-to-the-finish narration of what's going down on the floor.
TANYA Selvaratnam as Medea goes full throttle with the mental illness aspect of her character. From the very beginning of the play, Selvaratnam portrays Medea as having lost it full tilt. Thus, you lose sight of the rational motivations that her character might possess.
In direct contrast to Selvaratnam's stress grenade performance is Stefan Howells' cold and calculating portrayal of Jason. Jason has some terrific exchanges with Medea where he tries to convince her that the marriage was necessary. Howells perfectly grasps his character's mathematic precision of logic. At one point--Light...
COWARD'S plays rely on the lightning speed of witty repartee, which is rapid even for the British stage. Indeed, a quick pace seems to pervade the characters' every action. Elizabeth Humphrey as Mrs. Condomine affects a no-nonsense, secretarial air that perfectly fits, as her husband would say, her...