Word: characterized
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Dates: during 1990-1999
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Fight Club starts out funny. The first 30 minutes are overwhelmingly perfect. Like the beginning of American Beauty, the opening sequence whirls you through time, taking you in and out of the narrator's (Norton's) yuppie disillusionment. Poor Edward Norton--his character isn't even given a name. Food...
The idea of "yuppie angst" seems inherently oxymoronic. Yuppies are clean-cut, clear-headed people with successful jobs, shiny new sport utility vehicles, a weak spot for IKEA furniture, and happy families barbecuing behind white-picket fences. With such stability in their lives, what could yupsters possibly have to be...
In a sense, then, yuppie angst is the dysfunction that dares not speak its name. Edward Norton's character in Fight Club is so ashamed of the fact that he is bored with the Gap(tm)-bland banality of his successful life he is forced to pretend that his affliction...
EM: My relations with him were always the same as anybody, anybody who came into his orbit. Reagan had no interest in individual human character. Therefore it was all one, whether the Biographer walked into the oval office, or a Labor Union leader, or the President of Bangladesh. So I...
EM: At first I belittled him because I was looking for uniqueness and complexity and hoping for self-revelatory remarks. I got none of these things. What I got was a distressing ordinariness when I was alone with him. He seemed to have no culture, no originality, no curiosity. And...