Word: characterized
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Dates: during 2010-2019
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Details like working light bulbs on the tops of mannequins and an old-fashioned lamppost extending from one corner add character to the expansive stage. In one scene, Benjamin and Girl come across a carnival and actors situated above the stage pour down hundreds of brightly-colored balls while a...
Lyman and Strachan’s performances are less compelling. Benjamin has a youthful excitement from the outset that lacks any of the weariness that his character claims to experience after the eight years he’s spent at a dead-end job. There’s simply a...
Although her performance as Girl improves as the play progresses, Strachan struggles initially to capture the love-struck nervousness of her character. During her first encounter with her boss, she misses a comedic opportunity and comes off more awkward than relatable. She seems much more comfortable as the strong, confident...
Part of the problem is that her character is written to be helpless—she often panics and lacks the common sense one should have in a dire situation. Her biggest lapse in judgment comes when she falls asleep with her bare hand gripping a pole. The audience must...
Between its plot and the actors’ delivery (“Nail this job and consider yourself a part of the club,” says James’ unseen C.I.A. correspondent, while Charlie Wax tells the gangs he shoots up to “Wax on, wax off?...