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Last night, a few hours after learning of George's death, I flipped idly through TV channels. And there was George, in his final movie role, as Ryan Philippe's character 60 years later in Clint Eastwood's Flags of Our Fathers. Gasping for air, a tube up his nose...
Two other differences: Lenny admits from the start that he's on his honeymoon, and Kelly entertains his advances but doesn't encourage them. He jettisons Lila without a sensible hope of corralling romantic longing and ruthless ambition, then spends the rest of the movie trying to persuade Kelly and...
The Harvard Crimson film page introduces a new section, Deep Focus, in this week’s issue. Geared to provide you cineastes out there with quality material for cocktail party conversation, Deep Focus will feature interviews, commentaries, and analyses, all offering further insights into current films still playing in...
When several Harvard women were disturbed by strange phone calls last week, news of a mysterious man called “The Whisperer” (a.k.a, “The Prowler”) quickly traveled over e-mail lists. This unsavory character, we learned, has harassed Harvard women via their...
“Lust, Caution” is a film noir that’s too small for its britches: it may be cloaked in the finest material, but it is also drowning beneath the folds. While audiences will be captivated by the film’s languid, shadowy images...