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Imagine a play. Any play. Now remove the following elements: plot, character, setting, context. What remains is “Attempts on Her Life,” the play by Martin Crimp that opens tonight and runs until November 21 in the Loeb Experimental Theater.

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: ‘Attempts’ Tries Innovative Theater | 11/13/2009 | See Source »

The play is a set of 17 multilingual, multimedia vignettes centered around a theatrical construct named “Anne,” the production’s closest approximation of a main character.

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: ‘Attempts’ Tries Innovative Theater | 11/13/2009 | See Source »

Ella G. Gibson ’13, who plays several of the myriad versions of Anne, agrees with Stone on the essential lack of a central character. “A lot of the scenes are not character-driven but are driven by imagery, so a lot of the focus...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: ‘Attempts’ Tries Innovative Theater | 11/13/2009 | See Source »

In addition to an absent central character, his play is insistently plotless, focused instead on the fragments of Anne’s identity and the issues that destroyed it.

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: ‘Attempts’ Tries Innovative Theater | 11/13/2009 | See Source »

True to its name, the F.U.D.G.E. Theatre Group’s latest production, “Nevermore,” has certainly transformed my image of Edgar Allen Poe in an irreversible way. Nevermore will I see Poe in the same light. Nevermore will he simply be a talented but...

Author: By B. marjorie Gullick, CONTRIBUTING WRITER | Title: ‘Nevermore’ Reimagines Poe | 11/13/2009 | See Source »

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