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Word: characterizes (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

It would perhaps be helpful, in conclusion, to present my personal view of the role of race in society and at the College. I have a strong personal preference for a society and College in which race does not matter, where one is color blind, and men and women are...

Author: By Archie C. Epps iii, | Title: A Small Step Forward | 5/16/1977 | See Source »

Storey's method is that of the playwright: character and plot emerge mainly through dialogue, backed up by simple, controlled description. Blatant authorial intrusions are rare. Like his Victorian predecessors, Storey remains outside his characters, looking in; he avoids interior monologues, allo ing the feelings of his characters to surface...

Author: By Julia M. Klein, | Title: Up From the Coal Mines | 5/16/1977 | See Source »

The play's first act goes on to lay out the rules of the game, and to drive home this lesson: when you're a greenhorn like Smitty, you either let others push you around or you learn fast how to push them around. Queenie, a very funny, cynical character...

Author: By Mark T. Whitaker, | Title: Barbarity Behind Bars | 5/13/1977 | See Source »

All of the other minor acting flukes, however--ones that might represent drawbacks in another play--here add to the characters' concreteness. While the play's fifth character, a guard played by Paul Jackel, for instance, seems awkward when he tries to enter into insulting repartee with the prisoners, this...

Author: By Mark T. Whitaker, | Title: Barbarity Behind Bars | 5/13/1977 | See Source »

Still another key to Hair's success is the strength of the two male leads, King and Comins. King captures Berger's dualistic personality, alternating between sneering malevolence and good-natured dynamism. His feeling for his fellow man constantly grapples with his vanity. A more sympathetic character, Comins is just...

Author: By Hilary B. Klein, | Title: Hair and Now | 5/12/1977 | See Source »

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