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Her father (Benjamin T. Morris ’09) follows suit with his hilarious introductory song, “I am the very model of a modern Major-General.” He delivers his performance with confident, prim inflection at a break-neck pace, capturing the Major-General?...
In the opening scene of “The Pillowman,” a man, covered to the waist in a rough burlap sack, lies sprawled on a table, while a lone wooden rocking horse rests forgotten in a corner. In this one eerie visual tableau, the play?...
Isabel Q. Carey ’12 conveys through her body the psychological destruction of her mind. In the scene where Katurian rescues her from torture, the pair rise and fall together in a dance sequence that captures the heartbreakingly graceful fragility of their limp and beaten bodies. Later, Carey...
Giles often dons garishly gender-bending outfits to depict frightful women in narrated performances of Karturian’s stories. In one, he forces a tight red dress and thick strands of pearls over his detective’s uniform. Even more bizarre, Katurian’s costume for the...
However, these pirates do not disappoint. The Pirate King (Ilan J. Caplan ’10) has a gravitas that makes one of the show’s many exuberant refrains infectious: “But I’ll be true to the song I sing, and live and...