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Word: characterizing (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Director Roger Donaldson (Smash Palace) knows that action of all kinds intensifies when it is staged in tight spots, and there is no tighter one for a murder suspect than the Pentagon. Why Donaldson and Writer Robert Garland chose to sacrifice sympathy for Costner's character (and their well-made...

Author: /time Magazine | Title: Cinema: Hot Films, Unhappy Endings | 8/17/1987 | See Source »

This scene is part of the cultural underground in Iran today. Among those who can afford them, American rock videocassettes are a big favorite. Groups of young men, many of them draft dodgers, pool their money to buy video recorders. The regime's efforts to eradicate all Western influences, and...

Author: /time Magazine | Title: Living With War And Revolution | 8/17/1987 | See Source »

In popular myth the conflict between a writer's literary aspirations and the coarser demands of the marketplace besets only the "serious" author. Novelists who turn out the mystery, thriller, police or spy story are presumed to have long since made their peace with the printer's devil. In fact...

Author: /time Magazine | Title: Books: To Be or Not to Be | 8/17/1987 | See Source »

"With madness, as with vomit, it's the passer-by who receives the inconvenience," says a character in Joe Orton's one-act satire The Erpingham Camp. No doubt about it, playwright Joe Orton was a great, corrosive farcist. With such devilish lines, he's been pricking up everyone's...

Author: By Michael D. Shin, | Title: The Erpingham Camp | 8/14/1987 | See Source »

The Erpingham Camp is a biting comic-book political satire where the characters have no character, and are hardly more than grotesques. Orton populates his play with social types who cover the entire political spectrum. What makes Orton's satire so savage is that his grotesques manage to seem "real...

Author: By Michael D. Shin, | Title: The Erpingham Camp | 8/14/1987 | See Source »

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