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“[W]hat I’ve seen as more transgressive elements have been not so much the sexy part but more the character content,” Orlosky says, referring to one of the more hilarious acts that she’s seen, “I...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Getting a Leg Up | 11/20/2009 | See Source »

The sumptuousness of Ismael’s garden as he describes it—where oranges grow fat and succulent in the blazing sunshine—echoes in his descriptions of the attractive young family living next door. The object of his desire is Geraldina, a wife and mother of...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: Violence Penetrates Society, the Psyche in ‘Armies’ | 11/20/2009 | See Source »

But through this intensely character-driven movie, Montgomery—and the audience—gradually warms to Stone as Harrelson deftly portrays the nuanced and deeply vulnerable character as plagued by feelings of inadequacy and loneliness. The foundation of the film is the development of this cautious friendship between...

Author: NO WRITER ATTRIBUTED | Title: The Messenger | 11/20/2009 | See Source »

“The audience is your collaborator. There is another character in the room, and you have to consider that. It’s not about pandering, it’s about clarity,” he said. “If they’re not liking it...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Good Deeds: Sondheim Seduces Audiences | 11/20/2009 | See Source »

“I wouldn’t say they hated it,” Sondheim said. “They just thought we were idiots.” In England, the character of Sweeney Todd is often thrown around as an empty threat to scare disobedient children. Consequently, English...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Good Deeds: Sondheim Seduces Audiences | 11/20/2009 | See Source »

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