Word: characterizing
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In the end, however, “Ergo” is obnoxiously one-dimensional. Of course there are many abstract ideas presented in the book, but they all serve a single purpose: existential terror. The novel explores no other sentiment. Even the intercourse of Wacholder and Trude Böckling...
Lind’s language is vulgar, again without variation. Toward the end of the book, Leo says, “We pull on God’s cock therefore, we are. Penem Dei tractamus ergo sumus.” This declaration is presumably an important sentence, considering the fact...
But Pamuk avoids claustrophobia by elevating his repetitions into a self-referential body of work as complex as that of Nabokov, Barth, or Bolaño. Just as with those writers, the relationship between author and fiction remains intriguingly fluid. Many of Pamuk’s fictional landmarks are recognizable...
These days, Roth is about as prolific as he is grim. His most recent novels have all dealt in almost expository detail with the subject of death and its inextricability from the spectrum of human experience. “The Humbling,” with its three-act structure and...
“The Humbling” comes shortly on the heels of last year’s “Indignation,” a similarly clipped, brutal character study, this time of a younger Rothian hero, Marcus Mesner: the already- (or almost-) deceased narrator who must recount and...