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Such evidence of homegrown humor often takes the form of the portmanteau: "hangry" as a word for hunger-induced anger, "procrasturbating" as one for procrastinating by masturbating. The interactions of the characters??Jeff (Jordan Ahnquist), Hunter (Joe Lanza), Heidi (Amy Barker), and Susan (Val Sullivan)—necessitate both the familiarity of raunchiness for hilarity's sake and the innocence of expression. From this dynamic, the most memorable moments are born: an entire number dedicated to the idea of a monkey riding a speedboat constructed around the theme of "Broadway musicals"; the hilarity of "What Kind...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: "[title of show]" Goes Meta, To Mediocre Results | 2/4/2010 | See Source »

...Rough characters?? as well as the “transactions that happen outside the law” are a point of concern for some residents, he added...

Author: By Kerry K. Clark, CRIMSON STAFF WRITER | Title: Eccentric People Create Eclectic Pit | 12/16/2009 | See Source »

...between Danny and Sandy. The subplots are equally compelling as the main narrative, particularly the storyline revolving around around Rizzo’s pregnancy. By keeping the actors onstage for the bulk of the production, the audience is never allowed to forget that this is about all of the characters??and in this sense, HRDC’s “Grease” is doing something...

Author: By ABIGAIL B. LIND, CRIMSON STAFF WRITER | Title: Walker's "Grease" Helps an Old Favorite Run Smoothly | 12/7/2009 | See Source »

...Anderson has spent a decade as one of America’s most important filmmakers, and the better part of that same decade shaking the good will earned by the films that gave him his reputation. Anderson’s characters??idiosyncratic, often emotionally opaque and depressive—inhabit worlds whose visual splendor assumes the sentiment, both delicate and deliberate, of an auteur—his awareness of the history of cinema giving way to reverence and innovation in equal parts. His films identify with a generation still in turmoil over lost innocence and the transition between...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Fantastic Mr. Fox | 12/4/2009 | See Source »

...emerge. Perhaps the greatest failure of “The Darjeeling Limited” was in reversing this formula instead of developing on it. But the utterly blank faces of Fox, his family, and friends—posturing, wry, flummoxed, or brooding countenances as they fit their respective characters??allow for development that’s left totally up to the script. Fox’s son Ash, voiced by Jason Schwartzman, another perennial Anderson collaborator, strikes the perfect timbre between obnoxious humor and endearing awkwardness. Schwartzman’s delivery is appropriately adolescent, all but reprising...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Fantastic Mr. Fox | 12/4/2009 | See Source »

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