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...complex characters and meaningful themes in the style of a children’s entertainment, this production, under the direction of Sara B. Heller ’02, captures none of the sophistication or moral ambiguity of the material. It is children’s entertainment. Clear choices about characters??€™ motivations and rationality don’t register. Instead, the audience is left with gimmicks and inappropriately one-note performances...

Author: By Adam R. Perlman, CONTRIBUTING WRITER | Title: Lost In the Woods | 5/4/2001 | See Source »

...went through 20 drafts before she found them satisfactory, and even now she feels that her collection isn’t really finished. Intense as the experience was, “it was awesome to have a thesis I loved completely. It’s so fun deciding your characters??€™ fates—I just left them in the kitchen in the middle of an argument, now what...

Author: By Camberley M. Crick, CRIMSON STAFF WRITER | Title: Once Upon A Time | 5/4/2001 | See Source »

...they kill their parents? Red blotches around the set’s living room hint at some bloody work done in the past. Yet the mystery is a red herring. The play, by British scribe Philip Ridley, is more interested in exploring the ins and outs of the characters??€™ skewed psyches, notably as depicted in the clash that comes when Presley sends Haley into a drug-induced sleep and admits an outsider into their home...

Author: By Benjamin J. Soskin, CONTRIBUTING WRITER | Title: (Cosmo) Disney's World | 3/16/2001 | See Source »

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