Word: charcoaled
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Dates: during 1930-1939
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...from behind a boulder. It was Author Sanderson's shadow. The cave's incline steepened; he slid down & down. The darkness and rank smell thickened. Then he was standing among the carcasses of old crabs that had crawled down there to die. A half-buried hearth revealed charcoal; around it were large bones-a fugitive's, perhaps...
Herr Matejko, an official Austrian staff artist in World War I, perfected his technique in the trenches and has again been given fullest scope for his talent by the German High Command. Possessor of a fluent romantic style, Theo Matejko works usually in charcoal. Aged 45, famed in Berlin as the driver of a white Mercédès racing car, he has flown this year with Nazi sea raiders but does not claim to have seen the alleged bombing of Ark Royal. This may account for considerable artistic license...
...Sweden, anticipating the blockade, had stored two-year supplies of fats, fodder, fertilizer, but forgot gasoline, prepared to substitute charcoal gas generators for gasoline motors. Booming were iron ore shipments to Germany; hard hit were Swedish sawmills and pulp mills whose chief customers were British. Closed were big wood products factories on the Gulf of Bothnia. But Germany was trading coal from newly-seized Polish mines for Swedish fish, berries, iron...
...most hated by those who have to eat his Ersatz foods. From sawdust Bergius has extracted a digestible sugar, equal in food value to barley. Of the sawdust 60% to 65% becomes sugar, 5% acetic acid, 30% lignin which can again be used to make charcoal or wallboard. The sugar can be converted into protein by treatment with yeast; into fat by feeding it to pigs. Apparently, up to the outbreak of World War II, food-from-sawdust in Germany was fed only to animals...
...19th-Century romantics; surrealists claim him as a pre-surrealist. In his melancholy youth Redon had tried architecture, sculpture, studying the old masters, imitating the Barbizon landscapists, copying the romantics. As far as he was concerned, nothing seemed to click. Then, one day, in 1875, he found that charcoal was his meat. From charcoal drawings he went on to lithography. It had taken him 25 years to discover the proper medium for what he saw, and he scarcely dipped a brush in oils for another 20 years...