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Word: charcoaling (lookup in dictionary) (lookup stats)
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...concludes with the “sundown light” he had just described “chameleoning” away and captures the feeling with the down-to-earth rhythms of a southern spiritual: “No one is able to describe this gold to bronze to charcoal, no one. / So move along, boy, just move along.” He confounds the problem of understanding life with the problem of writing about it—its subject matter is too complex and ever-shifting for the human abilities to capture.Wright’s attempt to understand...

Author: By Rebecca A. Schuetz, CRIMSON STAFF WRITER | Title: 'Sestets' Illuminate Space Between Physic and Aesthetic | 4/24/2009 | See Source »

...northeast province of Liaoning, and the southwest regions of Guizhou and Yunnan have become well known for their massive output of Triassic marine-life fossils. Fakery became a natural part of this lucrative business, and several Chinese paleontologists say fakes, typically made into the shape of bones using plastic, charcoal and construction materials, now make up the majority of institutional fossil collections China. And though China's vast land mass means there are probably still plenty of valuable and legitimate fossils out there, China's fossil rush might already be a thing of the past. In 2002, the government tightened...

Author: /time Magazine | Title: China's Dinosaur Fossils: Vast, but Are They Real? | 4/5/2009 | See Source »

Each of Kentridge's film projects generates suites of charcoal drawings, most of them descendants of Goya's desolate readings of human affairs. Charcoal is exactly the right medium for Kentridge. Burnt carbon has a gravity all its own, and it's perfect for Kentridge's blasted landscapes, crowds of eternal refugees and monsters that could be the potbellied Will to Power. His world comes in shades of black, white and gray, with just occasional flecks of red or streams of bright blue that suggest water--a cool comfort against affliction but also the stuff of tears. In Felix Crying...

Author: /time Magazine | Title: Artist William Kentridge: Man of Constant Sorrow | 3/19/2009 | See Source »

...infinite, continuous flux,” says artist Sara J. Stern ’12, who tailored her work specifically to the space. “Transparency, reflection, shadow, and light are all central to [the piece].” Directly across from this sculpture, an enormous charcoal-on-paper piece utilizes traditional sketching and shadowing techniques to capture the versatility of human movement within the artistic confines of a linear plane. A few steps down the corridor reveal equally fascinating creations, from faces with penetrating expressions illuminated against silkscreen backdrops to eight colorful digital animations looping on a video...

Author: By Monica S. Liu, CONTRIBUTING WRITER | Title: Student Art Placed at Forefront in Mass Hall | 2/20/2009 | See Source »

...call umami. Not all dishes at Iggy's live up to this transcendent promise (on the night we visited, the dessert was a disappointingly boring fig tiramisu). But there were hints of greatness in the light-as-a-cloud gazpacho sorbet served as a palate cleanser, and in the charcoal-grilled Wagyu steak, which is little larger than a square of chocolate but infinitely rich, smoky and dense...

Author: /time Magazine | Title: The New Best Restaurant in Asia | 1/22/2009 | See Source »

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