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...Anyone with a glancing knowledge of the writings of the human-potential movement of the past 40 years will have no trouble finding in Chopra's work influences, both hidden and acknowledged, from beyond India's borders. Abraham Maslow, Teilhard de Chardin, Joseph Campbell, Carlos Castaneda and other counterculture standards blend into the mix with a healthy helping of contemporary psychologists, biologists and physicists. "Our brains are hardwired to know God," Chopra has said, in a characteristic splice of old-fashioned mysticism and modern techno-speak. In The Seven Spiritual Laws of Success, he explains that "the physical universe...

Author: /time Magazine | Title: New Age Supersage | 11/14/2008 | See Source »

Kimmelman doesn't have to climb mountains to find inspiration. A trip to the supermarket with his 5-year-old leads him to think about how art transfigures the commonplace, which puts him in mind of the hushed brown crockery in the still lifes of Jean-Baptiste-Siméon Chardin and the pulsating gum balls of Wayne Thiebaud, which in turn bring him to a wise and lovely conclusion: "Artists who push us to look more carefully at simple things may also strike a slightly melancholic note. They remind us of a childlike condition of wonderment that we abandoned once...

Author: /time Magazine | Title: Books: Climb Every Mountain | 8/28/2005 | See Source »

...Palais (March 11-May 31). With 200 paintings, drawings, sculptures, film clips and installations, the show covers two centuries of this circus lineup, as envisioned by 83 artists including Goya, Ensor, Klee, Beckmann, Dix, Picasso, Bonnard, Hopper, Freud, Robert Capa and Diane Arbus. It's a perilous leap from Chardin's delightful The Monkey Painter and Toulouse-Lautrec's bitter yellow La Clownesse Cha-U-Kao to video artist Pierrick Sorin's ad nauseam Pie Fight, but like Paris itself, there is something for just about everyone in this three-ring show. There are few real self-portraits...

Author: /time Magazine | Title: The Capital Of Beauty | 3/14/2004 | See Source »

Scientific innovations originate outside the dominant paradigm—demanding orthodoxy invites stagnation. Scientists who question evolution, like Intelligent Design theorists, do not reject evolution entirely, but argue that evidence supports a limited explanatory role. Faithful Darwinists, however, like Teilhard de Chardin, insist that evolution is “a general postulate to which all theories, all hypotheses, all systems must henceforth...

Author: By Richard T. Halvorson, | Title: Confessions of a Skeptic | 4/7/2003 | See Source »

...with the postimpressionism of Paul Cézanne (1839-1906) and Paul Gauguin (1848-1903). The viewer does not get a snapshot of one small movement, but instead comes away with a sense of what happened artistically between the classic 18th century still lifes of Jean-Siméom Chardin and the 20th century innovations of Pablo Picasso and Georges Braque. Related paintings are placed side by side to inform the viewer’s understanding of both the history and the aesthetics behind Impressionist still life painting...

Author: By Isabelle B. Bolton, CONTRIBUTING WRITER | Title: First Impressions | 3/8/2002 | See Source »

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