Word: chardin
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...Died. The Rev. Pierre Teilhard de Chardin, S.J., 74, world-renowned, French-born paleontologist, co-discoverer (in 1924) of the Peking man, the first actual remains of paleolithic man found in Asia; of a heart attack; in Manhattan. Father Teilhard regarded the Peking man as an important link between the anthropoids and modern man, saw no contradiction between Roman Catholic doctrine and scientific evidence of man's animal origin. "The significant fact about man," he said, "is the coming of thought with and through...
...museums are less than half a century old, but they have shot up fast. This week the Minneapolis Institute of Arts celebrated its 40th anniversary with an exhibition of 40 masterpieces culled from its collection of some 25,000 art objects. The museum's latest acquisition, a Chardin (opposite), is perhaps the most brilliant painting in the show...
...Chardin was in his honored 60s when he painted the picture, and living contentedly as a "King's Pensioner" in the Louvre. When first displayed in 1769 (three years after it was finished), his canvas drew a parade of exclamation points from Encyclopedist Diderot, one of Paris' first professional art critics: "Everyone sees nature; but Chardin sees it profoundly and exhausts himself in rendering it as he sees it; his work on The Attributes of the Arts is proof of this. How perfectly the perspective is observed! How the objects reflect each other! How the masses are handled...
...school of Paris than from the militantly proletarian school of his countrymen Rivera and Siqueiros. At 54 Tamayo has come a long way from the Mexico City fruit markets where he grew up, has become one of the Western Hemisphere's most sought-after painters. Contrasted with Chardin's chill but solid mastery, Tamayo's Fruit Vendors looks ungainly in drawing and uncertain in composition. The colors, which glow hot and cold through a spreading stain of shadows, enforce the ambiguous mood. And the mood, which might be that of a romantic summer night...
...mate on the U.S.S. Massachusetts during World War II, came to Manhattan to work as an illustrator for Conde Nast publications. Today he lives by his still lifes, painting steadily in a Manhattan studio. His style is still evolving, he says, and "lies somewhere between the subjectivity of Jean Chardin and the objectivity of Cezanne...