Search Details

Word: chardin (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...that most critics tend to praise anything they do not understand?and, most of all, on skill. It may be even harder to picture things the world never saw than to picture everyday things, yet Tanguy paints the odd detritus of his dreams as crisply, convincingly and decoratively as Chardin painted food and wine. He also has a literary flair. Tanguy's paintings may be practically interchangeable, but the obscure titles he gives them are varied and provocative?Mama, Papa Is Wounded! Slowly Toward the North; Extinction of Useless Lights; Divisibility Undefined...

Author: /time Magazine | Title: Seance in Connecticut | 8/30/1954 | See Source »

Malraux had written: "The alcove of Vermeer, a flower painting by Chardin, give us a view of a world where man is less antlike than in his own." But, Onimus responds: "What anguish in these few lines! And, in fact, perhaps what misgivings! Does Malraux seriously believe that Vermeer's alcove, Chardin's bouquet, however beautiful they are, contain within them the power of salvation? . . . His position is untenable...

Author: /time Magazine | Title: Art: Substitute for God? | 2/15/1954 | See Source »

...decided to model himself on Rembrandt, Goya, Chardin and U.S. Painter Thomas Eakins ("one of the greatest portraitists of all time"): "It was a matter of looking and looking and then working and working." The small public that buys pictures approved the results: his Manhattan show was a near sellout...

Author: /time Magazine | Title: Art: No Hiding Place | 4/28/1952 | See Source »

...were the ones that proved how cold, competent and clear-eyed a painter Stuempfig is when he chooses not to be romantic. Dark, highly polished still lifes of vegetables on a table, they were so expertly done as to invite comparison with the 18th Century French master, Jean Baptiste Chardin...

Author: /time Magazine | Title: Art: The Romantic Mood | 12/12/1949 | See Source »

...exhibition traced Matisse's wavering, laborious progression from his early copy of a dead fish by Chardin, gleaming in mahogany darkness, to the abstract paper cutouts, brighter than circus posters, which he makes nowadays. Advancing room by room, visitors saw that Matisse had put increasing kick in his colors and bite in his outlines as he grew older...

Author: /time Magazine | Title: Art: Beauty & the Beast | 4/5/1948 | See Source »

Previous | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | Next