Word: chardin
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This aura of inexorability has led some people to wax poetic about cosmic purpose. The Jesuit theologian Pierre Teilhard de Chardin, writing at midcentury, long before the Internet, nonetheless discerned a "thinking envelope of the earth" that he dubbed the "noosphere." This was the divinely ordained outcome of the two evolutions, and would lead to "Point Omega," where brotherly love would reign supreme...
Like his artistic ancestor Chardin or his fellow Nabi Edouard Vuillard, Bonnard was an Intimist. He cared nothing for heroic or historical themes. He had no public life, and his diary was filled not with reflections on art, life or politics but with pencil sketches and occasional notes on the weather. Nor did art theory, avidly debated among some of his painter friends, interest him much...
...image of a literal planetary nervous system was laid out a half-century ago as a kind of prophecy by Pierre Teilhard de Chardin, the Jesuit mystic whose writings were banned by the Roman Catholic Church. Teilhard envisioned the technological evolution of a "noosphere"--the "thinking envelope of the Earth." The noosphere, he believed, entails a "sort of etherized universal consciousness" that will lead us, at last, to an era of brotherly love. Needless to say, Teilhard has a following...
...last years, from 1865 or so until his death, Corot produced an exquisite series of small figure paintings, mostly of young women sitting before the easel in the brown clutter of his studio. Some remind you of Chardin, others are prophecies of Whistler. Interrupted Reading, circa 1870-73, is strikingly modern in its broadly painted triangular planes of muted color, regulated by two patches of black--the model's hair and her bodice--and relieved only by some red coral beads. Its Raphaelesque formal clarity looks back to neoclassicism but also forward to Picasso's dropsical women. It shows that...
...exception of the Madrid painter Luis Melendez (1716-80), whose massive arrays of boxes, wrinkled cheeses, copper cookware and glittering dorados or sea bream were disparaged as minor art by academic pooh-bahs and never won him the success he deserved. But other than France's Jean-Baptiste-Simeon Chardin, there was no finer still-life painter in 18th century Europe...