Word: charleston
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Class marshals of the Class of 1973 are M. Deacon Dake of Adams House and South Bend, Ind., first marshal, Barry C. Malinowski of Kirkland House and Abington, second marshal; John B. Hagerty of Eliot House and Charleston, S.C., third marshal and Stanley P. Mark of Winthrop House and Cincinnati, Ohio, fourth marshal...
...other offenders are Cotton Comes to Harlem and Come Back Charleston Blue, which feature Raymond St. Jacques and Godfrey Cambridge as veteran Harlem detectives. In Cotton a modern day Marcus Garvey is unmasked as a charlatan, while in Charleston Blue a dynamic young black photographer who rids the community of heroin turns out to be using it for his own purposes. Black Americans are implicitly instructed that Pan-Africanist leaders are frauds and that blacks who attempt to serve the community have alternative motives. The thrust of these films is that blacks are incapable of solving their own problems...
...campaign. "It's terrific," Shriver kept saying, "I'm learning a graydeal [a favorite word]. Here, look at my issues book [thick loose-leaf binder]; it's as good as any master's course." In a swing that spotted the nation from Portland, Me., and Charleston, W. Va., to Grand Rapids and the West Coast, Shriver's routine never varied: he would come down the ramp of his chartered 727 wearing facial expression No. 1, a closemouthed, eye-twinkly look of expectation. Then, as he greeted the local Democratic leaders, he would go to expression...
...lack of effectiveness of black community and cultural leaders. They are agents who wish to be totally free, and are concerned solely with their personal vendettas against the rest of the world. Until Super Fly, the hardened Chester Himes cops of Cotton Comes to Harlem and Come Back Charleston Blue were the only colorful heros who also possessed social conscience and civic sense (though both efforts were sabotaged by, respectively, clumsy and cutesy direction...
COME BACK, CHARLESTON BLUE features two of Shaft's soul brothers, a pair of Harlem plainclothesmen named Grave Digger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) who made their movie debut in the casual, sometimes chaotic comedy thriller Cotton Comes to Harlem (1969). In Charleston Blue, Director Mark Warren shows a boisterous if somewhat blatant sense of fun as well as a knack for dealing with mayhem. Charleston Blue is like slaphappy and violent vaudeville. Under the guise of cleaning up the ghetto, a flashy fashion photographer called Painter is rerouting all the Mafia...