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Convict Bobby Lee Hunter has come a long way since he fatally stabbed a man five years ago in a snack-bar scuffle in Do As You Choose Alley, a Charleston, S.C., ghetto. Sentenced to 18 years for manslaughter, he spent the first few years in prison as a sullen, scrappy teen-age con often banished to solitary confinement. Then he was encouraged to take up supervised fighting. His surliness vanished, and since 1970 little Bobby Lee has developed into the nation's best amateur flyweight boxer, with a good chance of winning a medal...

Author: /time Magazine | Title: Sport: Low Blows from Munich | 6/26/1972 | See Source »

Producer Sam Goldwyn Jr. was finishing up work in Harlem last week on Come Back Charleston Blue. The director, Mark Warren, is black, as are most of the cast and crew. Billed as a sequel to 1970's lucrative Cotton Comes to Harlem, the film is something more than that. It is part of a new Hollywood wave of eminently commercial movies by blacks about the black experience...

Author: /time Magazine | Title: Show Business: Black Market | 4/10/1972 | See Source »

More Realism. Prompted by the success of the original, most of the studios are going blackface with adventure films. Parks and company are now shooting Shaft's Big Score for MGM, which just released Cool Breeze, a black version of The Asphalt Jungle. Warner's, with Charleston Blue in the works, is planning a series of black "active adventure comedies." Universal and Fox will contribute their own versions of the black private-eye story. A bit more imaginative, Columbia has a black western, Buck and the Preacher, ready for spring distribution; it is directed by Sidney Poitier...

Author: /time Magazine | Title: Show Business: Black Market | 4/10/1972 | See Source »

...predominantly white. This prompted CORE in January to send a list of seven demands for money, jobs and control to all studios planning to film in Harlem. Some of these seemed negotiable; others, like script approval, were unrealistic. Goldwyn, who made peace with CORE and other groups to finish Charleston Blue on location, points out that film makers may simply "start recreating Harlem in Albuquerque. It's cheaper and easier...

Author: /time Magazine | Title: Show Business: Black Market | 4/10/1972 | See Source »

...Vorspan of the University of Judaism in Los Angeles: "The Six-Day War tapped Jewish feelings among peopie who didn't know they had any." It also tapped a flood of Jewish cash. Financial support for Israel, always strong, crested to a new high: the 750 Jewish families of Charleston, S.C., alone raised a remarkable $250,000 ?nearly $100 per person. Young people?and sometimes their parents?suddenly found themselves on jets to Israel, ready to fight, or at least to take the soldiers' places in the kibbutzim...

Author: /time Magazine | Title: The Jews: Next Year in Which Jerusalem? | 4/10/1972 | See Source »

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