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...demeaning characterizations. Black actresses are literally and figuratively screwed from one reel to the next. The title character in Melinda is a black whore for a white gangster. The women in Super Fly are all prestitutes mindlessly devoted to the drug supplier, while in Cotton Comes to Harlem and Charlston Blue, black women are portrayed as naive, frivolous, or insane. The women in the Shaft films are merely repositories for the super-stud's semen. And as if there aren't enough real monsters to contend with in the ghetto, the king of horror films. American International...

Author: By Henry W. Mcgee iii, | Title: Black Movies: A New Wave of Exploitation | 10/10/1972 | See Source »

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