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...G.O.P.-directed mailer. Indeed, the measure was crafted to avoid a "Big Government" label: it would apportion most of the tax revenue according to the number of births in each county and distribute it to commissions of unsalaried appointees named by local elected officials. "Prop 10 is antibureaucratic," intones Charlton Heston, the new president of the National Rifle Association, in a radio spot. "That's the kind of local control I support...

Author: /time Magazine | Title: Meathead's Crusade | 10/26/1998 | See Source »

...honors as narrator for the recent documentary "Behind the Planet of the Apes." The job called for an open embrace of the sci-fi/camp classics that Charlton Heston had clearly sidestepped, just as he did by bowing out of the series after just a teaser role in the first sequel. McDowall loved every minute of it; you could see it in his eyes. He loved the makeup, the social commentary, the sense of doing something that hadn't been done, then doing it over and over again as long as they kept paying you. McDowall was a pro -- temperamental...

Author: /time Magazine | Title: Roddy McDowall, 1928-1998 | 10/5/1998 | See Source »

...office bomb at the time of its release, Touch of Evil has nevertheless been heralded as one of the masterpieces of the noir genre. Charlton Heston plays Ramon Miguel "Mike" Vargas, a Mexican narcotics investigator embroiled in a shady murder investigation just on the other side of the border. Heading the investigation is Captain Hank Quinlan, played by a padded and bloated Welles. When Quinlan's abuse of power proves too great an affront to Vargas' moral sensibilities, he soon involves both himself and his newlywed American wife, played by a feisty Janet Leigh, in the cutthroat bordertown brawl between...

Author: By Jen S. Wu, CONTRIBUTING WRITER | Title: Bye Mancini, Hello Mariachi | 10/2/1998 | See Source »

...hassomething to do with Welles own experiencesattempting to work within Hollywood. After aseries of commercial failures, Orson Welles exiledhimself to Europe for 10 years. Having areputation for being difficult and often goingoverbudget, Hollywood was not terribly excitedabout his return to make Touch of Evil. Infact, it wasn't until Charlton Heston realizedthat Welles was only acting in the film and notdirecting it, and consequently refused to work onthe film unless Welles was the director, thatWelles was offered the position. Nevertheless,Welles was fired in post-production and his filmwas butchered...

Author: By Jen S. Wu, CONTRIBUTING WRITER | Title: Bye Mancini, Hello Mariachi | 10/2/1998 | See Source »

...Universal Pictures. Welles, of course, is the patron saint of lost, botched and unfinished works. The reissue, says its producer Rick Schmidlin, is "kind of an attempt to defend his genius." Indeed, the film is now better in many of its particulars, though you still have to buy Charlton Heston as a Mexican detective. Anyway, as Schmidlin readily notes, there's no way of knowing what Welles (or Davis or Hemingway) would have ultimately signed off on, and I'm not going to worry about it. I'm going to worry about all those J.D. Salinger stories squirreled away...

Author: /time Magazine | Title: Classics Updated | 9/21/1998 | See Source »

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