Word: charm
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...lived in New York City's Greenwich Village in the early 1960s, you might have encountered a tall, dapper Colombian among the hordes of aspiring artists who congregated there. Charming, garrulous and quick to make friends, he might have invited you to his tiny apartment and offered you one of his paintings for a few hundred dollars. He might even have confided that he desperately needed the money to pay the rent. If you stumped up the cash and took the painting home, you're one lucky investor. Works by Fernando Botero from that period are worth about...
...He’s always been a consummate professional who is enmeshed in the political fabric of this country—but who never ever forgets where he came from—and can talk to the president and a factory worker at the same time with the same charm and same skill,” Zucker says...
...observations, like the image of a naked woman that forms and disappears in a cup of sake in the song Evreux. Critics dismiss his style as precious, and ridicule his distinctive enunciation - drawn-out syllables and unexpected, oddly placed, upward inflections - as affected. But there's a certain quirky charm in his words and the way he sings them. Fanny Ardant et Moi, a rare up-tempo number, recounts Delerm's imagined relationship with the French actress 27 years his senior. "We are listening to Gregorian chant," he sings. "She barely speaks and me I say nothing/ We have...
...caterer, has made lots of good movies, from El Mariachi to Sin City, but they're all in 2-D. His stereoscopic films, Spy Kids 3-D and this one, are pretty lame. Sharkboy has an especially frantic, amateur atmosphere, with a mostly maladroit cast (George Lopez lends some charm to the four roles he plays). The script, based on a notion by Rodriguez's 7-year-old son, creates a universe whose physical laws and narrative rules keep changing, thus sabotaging the film's internal logic. As Sharkboy says, "Looks like another dream gone...
...poverty, mental illness, domestic violence, alcoholism and fear, Sayer blossoms. She finds ways to escape the misery, if only in bursts, through poetry, martial arts and music. Friends drop in and out, as does Gerry, but Sayer's resilience is the bedrock of the story. There's a charm and grace (and goofiness) in the adolescent Sayer, whose telling evokes the quiet dignity Henry Lawson found a century ago in the "sallow faces" and "weary feet" of the underclass...