Word: charme
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Dates: during 2000-2009
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...President of the second half of the 20th century? Well, he certainly had the one quality Napoleon always sought in a general: luck. Luck in his looks, luck in his voice, luck in his smile, luck in his choice of mate (although for Reagan the second time was the charm...
...describes as "the 'hero-hit-on-the-head-with-a-bottle' musical." The conked conqueror in "English" is a genteel Brit, Michael Bramleigh, who, after a head-bump, becomes Goto Schmidt, owner of Dresden's notorious night spot Klub "21." (Both roles are played, with an expert counterfeit of charm, by Brian d'Arcy James.) Goto and his girlfriend Gita Gobel (Emily Skinner) are forever threatened by the pompous Police Commissioner (Imus' man of a thousand voices Rob Bartlett), but even more by his tendency to snap from one personality to the other whenever he gets bopped on the kopf...
...original Encores! feel. Beatty's spare but suggestive sets fly up and down cast in front of the on-stage orchestra (at 24 members, the largest on Broadway). Westfeldt has the requisite innocent allure, and Gregg Edelman, as Ruth's eventual beau, is a cutie with oodles of charm. From the rich supporting cast, I choose Ken Barnett (who plays a tour guide, a magazine staffer, a cop and several other roles) as my star of the future; he's got lots of character personality and the ingratiating comic sense of a young John Astin. The company of dancers executes...
...Bush, they also show that the two candidates are in a statistical dead heat and that, despite Bush’s falling numbers, Kerry is having trouble picking up the support of those recently disenchanted with the president. Bush’s special brand of down-home charisma and charm must be part of the reason, and it will be difficult for Kerry to battle a gut feeling most Americans have about the president, whom many voters continue to deem decisive and trustworthy. But Bush’s excellent campaign staff—including spin maestro Karl Rove...
Intelligently done all the same. His reputation is firm enough, but like Marc Chagall, Modigliani is one of those artists who have always been more popular with the public than with critics. His charm can seem too creamy sometimes, his legend so large it starts to overwhelm the output of his brief life. The Jewish Museum show, which was organized by curator Mason Klein, seeks to complicate our understanding of Modigliani. For one thing, it argues that each of his portraits is a signpost of the outsider, that Modigliani's art is the outcome of his position as a stranger...