Word: charmers
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...Hollywood idea man had visited Manhattan's federal courthouse last week, he could have walked away with all the makings of a grade B movie script, complete with a theatrical producer, a dark-haired charmer trying to entice information out of him, and a sizable batch (89 pages) of ready-made dialogue. The script didn't quite turn out according to plan...
Beethoven: Serenade in D, Op. 25 (John Wummer, flute; Alexander Schneider, violin; Milton Katims, viola; Columbia, 6 sides). Beethoven the charmer, instead of Beethoven the thunderer, in a performance that misses none of his smiles and gestures. Recording: good...
...20th Cenury-Fox) is a bright, unusual comedy that sets itself some high hurdles and clears them all-mostly with room to spare. The picture begins as three young matrons in station-wagon suburbia learn that one of their husbands has run off with a feared and envied local charmer. Leaving the runaway husband's identity dangling (neither the wives nor the audience is in on the secret at first), Writer-Director Joseph L. Mankiewicz explores each wife's marital security in three long flashbacks. Then, with considerable skill and a sort of hard-bitten humor, he pulls...
...Aumont plays the liar-adventurer and does it very well. He is wholly creditable as the fatal charmer, an exceedingly difficult job to do without making the character a slippery heel. He injects a good deal of humor into his acting, notably through gestures. Despite this, however, the characters of the wife and daughter are more intriguing, if less whole. Arlene Francis plays the wife with a restraint that suggests that there is more to her than the script will allow. Her part is brief and disturbing; the audience is hardly allowed to make more than a "cocktail-party analysis...
Edward never appears in the play, which is probably wise as well as ingenious, for the play really scores as the whopping success story of a ruthless charmer who begins as a small shopkeeper faced with bankruptcy and winds up a potentate and peer of the realm. With bright humor and a sort of icy gaiety, Holt gambles, soft-soaps, bludgeons, picklocks his way out of scrapes and up the ladder. And the play's interest really lies much less in whom he does it for than in how he does it; the Edward role seems...