Word: charming
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Dates: during 1990-1999
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...listen more closely. The Handel & Haydn Society performed the symphony admirably. The work was fluid and captivating, moving from melancholy to poetic to lively without any stops. There were no breaks between the movements, a departure from the traditional format most composers, including Mendelssohn himself, used. Mendelssohn's fundamental charm combined with a skillful performance made for a wonderful evening at Symphony Hall...
...audience over, and her imitation of Miss Hannigan's drunken walk and fondness for the flask are priceless. "It's the Hard-Knock Life," the orphan's second song, is an adorable synchronized number filled with metal wash-buckets and rags, and choreographer Peter Gennaro wisely capitalizes on the charm of his youngest orphan as she tap-dances and cartwheels into the spotlight...
...opening of "Pas de Quatre" entailed the four statuesque dancers en pointe, fluttering across the stage in symmetrical configurations. As each attempted to outdo the next with instant charm gushing out of the numerous pas de bras and arabesques, it became humorously evident that the small Conservatory stage was not expansive enough to accommodate the simulated egos of such tutu-ed princesses. The simplicity of the choreography complimented the complex interplay of rivaling ballerinas, and each dancer carried off her role with distinct glares and cross-stage sneers...
...productions in the Loeb Experimental Theater have tried for originality simply by changing a play's setting and adding lots of sexual innuendo. While Rachel Sexton '00's production of The Misanthrope uses both of these devices, in this case, the added twists enhance the play's charm and the end result is both cosmetically and intellectually refreshing. Of course, Moliere's tale of the struggle between honesty and courtesy would be poignant in any age. Setting Moliere in the Roaring Twenties, though, works particularly well, since the excesses of 17th century Parisian society translate rather easily to the freewheeling...
Leading actress Tegan Shohet '01 artfully portrays Celimene, who deftly manipulates her suitors and rivals with seductive charm. Shohet is probably the least exaggerated of the characters; her calm control reminds audiences that she is running the show. Her greatest exertions accentuate Celimene's sexuality, tempting Alceste with a stocking-clad leg or suggestive negligee. One of the best scenes in the play has Celimene transforming Alceste from an indignant suitor into a groveling wretch. As she humiliates Alceste into wearing a ridiculous feathered band, the audience sees Celimene at the height of her coquettish powers...