Word: charmingly
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Dates: during 1980-1989
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...countryside, a passion for horses and dogs, an enthusiasm for angling -and, so it is said, a wholesome taste for a wee dram of her native Scotland's national beverage-harmless pleasures which have never interfered with her sense of duty." More than that, those pleasures nourished the charm with which the Queen Mum humanized British royalty. "She came into the royal family from the outside," observes an old friend. "She brought a naturalness and spontaneity that is trained out of royals...
...consistently perform on a high level. They saw what the French saw; they studied in Paris; some of them even painted the flowers in Monet's garden at Giverny, with the assiduity of students doing the Roman ruins a century before. They were not trivial or maladroit. Yet charm, rather than inspiration, remained the order of the day. No wonder that Childe Hassam, William Merritt Chase, Edmund Tarbell, John Twacht-man and their colleagues have always seemed to be squeezed uncomfortably between the great Yankee realists like Eakins and Homer in the late 19th century and the robust "Ashcan...
...appearing as a guest artist. Ashton has created unexampled leaps and spins (and combinations of the two), as if he saw in Baryshnikov the spirit of Paganini, who raised violin virtuosity to a demonic level, and of Rachmaninoff, who did much the same for the piano. The charm of the work is that it never becomes the visual equivalent of piano busting, a mere showcase...
Perhaps it's this pallid, celibate quality that makes My Bodyguard so appealing. Without redeeming prurient interest, the film draws attention to its charming heroes and revels in a puerile macho sensibility. Lacking Breaking Away's overwhelming charm, or Fame's exuberance, it's still...
...concertizer throughout the country as well as in Europe, Africa and the Far East. His recent recording contains the New England Suite by Vally Weigl (b. 1894), widow of the composer Karl Weigl. Moore collaborates here with clarinettist Stanley Drucker and pianist Ilse Sass in a work of modest charm, consisting of "Vermont Nocturne," "Maine Interlude," "Berkshire Pastorale," and "Connecticut Country Fair" (better luck next time, Rhode Island). Moore plays almost perfectly, though the work makes no inordinate demands on its performers...