Word: charmingly
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Servant was an extraordinary piece about an extraordinary man. A man born into seeming impossibility; not uncared for, but equally not understood. Here was a boy of charm and intellect. An enchanted creature that had no apparent place upon this earth. Where would he roam? His life has answered that question. He never wavered from his crusade. Listen he always did. Respect he always had. Love from his generous soul he always offered...
Fortunately, for NASA, the second time's the charm - or so it seems. On Friday, the space agency's engineers celebrated the fact that, as far as they could tell, the second of their two $100 million Martian landers didn't get lost in space. All indications were that the Mars Polar Lander enjoyed a safe touchdown at right around its scheduled landing time, 3:01 p.m. EST. But NASA failed to receive a signal from the craft during the first 20-minute communications window, beginning around 3:40 p.m. The Lander is the partner craft to the Mars Climate...
...emerge more naturally out of the front-porch realism. But it does provide a platform for an impressive Broadway debut by film and TV star Woody Harrelson. Instead of the larger-than-life hamminess that Burt Lancaster brought to the role on film, Harrelson has a bantamweight's charm and easy physicality (at one point he does a handstand onstage). You can almost, but not quite, believe he'd fall for Lizzie, delicately played by Jayne Atkinson. Just as you can almost, but not quite, believe this well-made but sentimental play was worth reviving...
Then comes the feature, and charm is replaced by the dull treatment of a way-too-familiar scenario. As in the James Bond film The Man with the Golden Gun, an evil genius lords it over a mountainous island patrolled by a supermonster. The monster here is Mewtwo, a kitty clone or copycat of cuddly Mew. And as in Toy Story, the old-fashioned toys (like Mew) have to teach the mechanized ones (like Two) a bit about human values...
...deceptions of everyone beneath him." Welles means William Randolph Hearst, the ruthless magnate he would nail in the movie that, owing to Hearst's power, almost went unreleased. The irony: like Hearst, the auteur was driven to selfish cruelty for his (artistic) ends. Despite Schreiber's intensity and charm, this film never plumbs its subject's soul as Welles' did, but it's an often absorbing study of free expression and its human cost...